Suspense  (1949)

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Atlas ⋅ 1949

Low
$45
Mid
$140
High
$465

Canadian ⋅ Bell Features ⋅ 1949

Low
$35
Mid
$105
High
$350

Atlas ⋅ 1950

Low
$30
Mid
$95
High
$310

Atlas ⋅ 1950

Low
$40
Mid
$125
High
$420

Atlas ⋅ 1950

Low
$35
Mid
$100
High
$325

Atlas ⋅ 1950

Low
$70
Mid
$210
High
$695

Atlas ⋅ 1951

Low
$40
Mid
$125
High
$420

Atlas ⋅ 1951

Low
$200
Mid
$600
High
$2k

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$40
Mid
$125
High
$420

Atlas ⋅ 1951

Low
$35
Mid
$100
High
$335

Atlas ⋅ 1951

Low
$45
Mid
$130
High
$425

Atlas ⋅ 1951

Low
$45
Mid
$140
High
$470

Atlas ⋅ 1951

Low
$25
Mid
$80
High
$270

Atlas ⋅ 1952

Low
$80
Mid
$245
High
$810

Atlas ⋅ 1952

Low
$65
Mid
$200
High
$665

Atlas ⋅ 1952

Low
$50
Mid
$145
High
$480

Atlas ⋅ 1952

Low
$70
Mid
$205
High
$690

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$730

Atlas ⋅ 1952

Low
$65
Mid
$200
High
$665

Atlas ⋅ 1952

Low
$85
Mid
$260
High
$870

Atlas ⋅ 1952

Low
$95
Mid
$285
High
$945

Atlas ⋅ 1952

Low
$65
Mid
$200
High
$670

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$540

Atlas ⋅ 1952

Low
$50
Mid
$150
High
$505

Atlas ⋅ 1952

Low
$90
Mid
$275
High
$920

Atlas ⋅ 1952

Low
$85
Mid
$250
High
$840

Atlas ⋅ 1953

Low
$75
Mid
$220
High
$725

Atlas ⋅ 1953

Low
$35
Mid
$105
High
$355

Atlas ⋅ 1953

Low
$65
Mid
$190
High
$630

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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