Suspense  (1949)

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Atlas ⋅ 1949

Low
$60
Mid
$175
High
$580

Canadian ⋅ Bell Features ⋅ 1949

Low
$70
Mid
$205
High
$680

Atlas ⋅ 1950

Low
$35
Mid
$100
High
$340

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$45
Mid
$140
High
$470

Atlas ⋅ 1950

Low
$80
Mid
$235
High
$790

Atlas ⋅ 1951

Low
$40
Mid
$115
High
$390

Atlas ⋅ 1951

Low
$95
Mid
$285
High
$955

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$50
Mid
$150
High
$500

Atlas ⋅ 1951

Low
$35
Mid
$105
High
$350

Atlas ⋅ 1951

Low
$60
Mid
$175
High
$585

Atlas ⋅ 1951

Low
$45
Mid
$135
High
$445

Atlas ⋅ 1951

Low
$65
Mid
$190
High
$640

Atlas ⋅ 1952

Low
$55
Mid
$170
High
$565

Atlas ⋅ 1952

Low
$80
Mid
$235
High
$780

Atlas ⋅ 1952

Low
$55
Mid
$165
High
$555

Atlas ⋅ 1952

Low
$85
Mid
$255
High
$845

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$880

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$725

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$70
Mid
$210
High
$700

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$535

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$90
Mid
$270
High
$895

Atlas ⋅ 1952

Low
$90
Mid
$275
High
$910

Atlas ⋅ 1952

Low
$70
Mid
$215
High
$715

Atlas ⋅ 1953

Low
$90
Mid
$265
High
$880

Atlas ⋅ 1953

Low
$55
Mid
$170
High
$560

Atlas ⋅ 1953

Low
$70
Mid
$215
High
$715

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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