Suspense  (1949)

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Atlas ⋅ 1949

Low
$70
Mid
$215
High
$715

Canadian ⋅ Bell Features ⋅ 1949

Low
$65
Mid
$200
High
$670

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$50
Mid
$145
High
$490

Atlas ⋅ 1950

Low
$80
Mid
$240
High
$805

Atlas ⋅ 1951

Low
$40
Mid
$115
High
$390

Atlas ⋅ 1951

Low
$100
Mid
$300
High
$1k

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$50
Mid
$150
High
$495

Atlas ⋅ 1951

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1951

Low
$60
Mid
$180
High
$605

Atlas ⋅ 1951

Low
$45
Mid
$135
High
$445

Atlas ⋅ 1951

Low
$65
Mid
$190
High
$635

Atlas ⋅ 1952

Low
$60
Mid
$175
High
$580

Atlas ⋅ 1952

Low
$85
Mid
$255
High
$850

Atlas ⋅ 1952

Low
$60
Mid
$175
High
$590

Atlas ⋅ 1952

Low
$85
Mid
$250
High
$830

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$875

Atlas ⋅ 1952

Low
$70
Mid
$215
High
$710

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$740

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$530

Atlas ⋅ 1952

Low
$90
Mid
$275
High
$915

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$530

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$65
Mid
$190
High
$635

Atlas ⋅ 1953

Low
$90
Mid
$270
High
$905

Atlas ⋅ 1953

Low
$55
Mid
$165
High
$550

Atlas ⋅ 1953

Low
$75
Mid
$220
High
$730

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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