Suspense  (1949)

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Atlas ⋅ 1949

Low
$60
Mid
$185
High
$615

Canadian ⋅ Bell Features ⋅ 1949

Low
$65
Mid
$200
High
$670

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$370

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$50
Mid
$150
High
$495

Atlas ⋅ 1950

Low
$80
Mid
$245
High
$815

Atlas ⋅ 1951

Low
$40
Mid
$120
High
$400

Atlas ⋅ 1951

Low
$100
Mid
$295
High
$975

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$50
Mid
$150
High
$505

Atlas ⋅ 1951

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1951

Low
$60
Mid
$180
High
$600

Atlas ⋅ 1951

Low
$45
Mid
$135
High
$445

Atlas ⋅ 1951

Low
$65
Mid
$190
High
$630

Atlas ⋅ 1952

Low
$60
Mid
$175
High
$575

Atlas ⋅ 1952

Low
$80
Mid
$235
High
$790

Atlas ⋅ 1952

Low
$55
Mid
$170
High
$570

Atlas ⋅ 1952

Low
$85
Mid
$255
High
$845

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$890

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$735

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$70
Mid
$210
High
$700

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$525

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$90
Mid
$270
High
$905

Atlas ⋅ 1952

Low
$100
Mid
$295
High
$990

Atlas ⋅ 1952

Low
$70
Mid
$215
High
$710

Atlas ⋅ 1953

Low
$90
Mid
$270
High
$905

Atlas ⋅ 1953

Low
$55
Mid
$170
High
$570

Atlas ⋅ 1953

Low
$75
Mid
$225
High
$750

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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