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| Publisher |
DC |
| Artist |
Lew Sayre Schwartz |
| Writer |
Bill Finger |
| Writer |
David Kahn |
| Writer |
Henry Boltinoff |
| Artist |
Henry Boltinoff |
| Letterer |
Henry Boltinoff |
| Artist |
Joe Certa |
| Artist |
Ruben Moreira |
| Artist |
Leonard Starr |
| Inker |
Charles Paris |
| Cover Artist |
Win Mortimer |
| Artist |
Bob Kane |
| Published | February 1952 |
THE HUMAN PUPPETS A puppet master called "The Maestro" has been arranging crimes for the underground element of Gotham City, using puppets to demonstrate the execution of the crimes. The Maestro's plans always follow the same patter as the demonstration and soon, Batman and Robin get involved with the situation. Upon their intrusion, The Maestro has promised the criminals of Gotham that he would reveal the Batman's identity and prove that his Batman puppet has a similar face under the mask as the real one. Batman and Robin are eventually captured by The Maestro and placed on stage as larger versions of his puppets. Batman finds a way to dupe the puppet master and places a different face on the puppet as he and Robin break free from their bonds and capture the criminals. THE MAN WITH THE ARSON EYES ROBOTMAN’S DOUBLE THE LAWMAN WHO LOST HIS GRIP
