Henry Kiefer
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Jungle Comics #37
Fiction House
•
1943
•
Vol. 1
Non-Key
Jungle Comics #38
Fiction House
•
1943
•
Vol. 1
Non-Key
Jungle Comics #39
Fiction House
•
1943
•
Vol. 1
Non-Key
Jungle Comics #40
Fiction House
•
1943
•
Vol. 1
Non-Key
Jungle Comics #41
Fiction House
•
1943
•
Vol. 1
Non-Key
Jungle Comics #42
Fiction House
•
1943
•
Vol. 1
Non-Key
Heroic Comics #19
Famous Funnies
•
1943
•
Vol. 1
Non-Key
Jungle Comics #43
Fiction House
•
1943
•
Vol. 1
Non-Key
Heroic Comics #20
Famous Funnies
•
1943
•
Vol. 1
Non-Key
Heroic Comics #21
Famous Funnies
•
1943
•
Vol. 1
Non-Key
Headline Comics #7
Prize
•
1944
•
Vol. 1
Non-Key
Heroic Comics #22
Famous Funnies
•
1944
•
Vol. 1
Non-Key
Key Comics #1
Consolidated Magazines
•
1944
•
Vol. 1
Non-Key
Heroic Comics #23
Famous Funnies
•
1944
•
Vol. 1
Non-Key
Heroic Comics #24
Famous Funnies
•
1944
•
Vol. 1
Non-Key
Blue Circle Comics #1
Rural Home
•
1944
•
Vol. 1
1st appearance and origin of the Steel Fist
1st appearance of Blue Circle
1st appearance and origin of the Steel Fist
1st appearance of Blue Circle
Blue Circle Comics #2
Rural Home
•
1944
•
Vol. 1
Non-Key
Heroic Comics #25
Famous Funnies
•
1944
•
Vol. 1
Non-Key
Blue Bolt #12
Novelty
•
1944
•
Vol. 4
Non-Key
Jumbo Comics #66
Fiction House
•
1944
•
Vol. 1
Non-Key
Jumbo Comics #67
Fiction House
•
1944
•
Vol. 1
Non-Key
Bomber Comics #4
Elliott
•
1944
•
Vol. 1
Non-Key
World War II cover art depicting Hitler, Mussolini and Tojo
Fight Comics #35
Fiction House
•
1944
•
Vol. 1
Non-Key
Fight Comics #36
Fiction House
•
1945
•
Vol. 1
Non-Key
Headline Comics #13
Prize
•
1945
•
Vol. 1
1st appearance of Blue Streak
1st appearance of Max the Magician
Headline Comics #16
Prize
•
1945
•
Vol. 1
1st appearance of Atomic Man
Classics Illustrated #33 [HRN 71]
Gilberton
•
1945
•
Vol. 1
Non-Key
Reprint
Classics Illustrated #48 [HRN 167]
Gilberton
•
1945
•
Vol. 1
Non-Key
Reprint
Classics Illustrated #69 [HRN 167]
Gilberton
•
1945
•
Vol. 1
Non-Key
Reprint
Classics Illustrated #75 [HRN 167]
Gilberton
•
1945
•
Vol. 1
Non-Key
Reprint
Treasure Comics #5
Prize
•
1946
•
Vol. 1
Non-Key
Real Life Comics #32
Pines
•
1946
•
Vol. 1
Non-Key
Classic Comics #33
Gilberton
•
1947
•
Vol. 1
First comic book adaptation of a Sherlock Holmes story
First printing can be identified by not listing individual issues published by Gilberton on the back cover as seen on later printings
First comic book adaptation of a Sherlock Holmes story
First printing can be identified by not listing individual issues published by Gilberton on the back cover as seen on later printings
Classics Illustrated #35
Gilberton
•
1947
•
Vol. 1
Non-Key
Classics Illustrated #40
Gilberton
•
1947
•
Vol. 1
Adaptation of Edgar Allan Poe stories:
The Pit and the Pendulum (13 pages)
The Adventure of Hans Pfall (22 pages)
The Fall of the House of Usher (14 pages)
Adaptation of Edgar Allan Poe stories:
The Pit and the Pendulum (13 pages)
The Adventure of Hans Pfall (22 pages)
The Fall of the House of Usher (14 pages)
Heroic Comics #44
Famous Funnies
•
1947
•
Vol. 1
Non-Key
Classics Illustrated #42
Gilberton
•
1947
•
Vol. 1
Non-Key
Classics Illustrated #43
Gilberton
•
1947
•
Vol. 1
Referenced in Seduction of the Innocent, led to establishing the Comics Code Authority
Reason: Wertham describes the first eight pages of this comic as being gratuitously violent and a poor representation of the source material
HRN stands for Highest Re-order issue Number on back cover - the lower the number the earlier the printing. Generally a first printing will have an HRN that matches the issue number on the front
Referenced in Seduction of the Innocent, led to establishing the Comics Code Authority
Reason: Wertham describes the first eight pages of this comic as being gratuitously violent and a poor representation of the source material
HRN stands for Highest Re-order issue Number on back cover - the lower the number the earlier the printing. Generally a first printing will have an HRN that matches the issue number on the front
Classics Illustrated #44
Gilberton
•
1947
•
Vol. 1
Referenced in Seduction of the Innocent, led to establishing the Comics Code Authority
Reason: panels of a blindfolded man, tied to a chair with his eyes gouged out
Referenced in Seduction of the Innocent, led to establishing the Comics Code Authority
Reason: panels of a blindfolded man, tied to a chair with his eyes gouged out
Saddle Justice #4
EC
•
1948
•
Vol. 1
Non-Key
Saddle Justice #3
EC
•
1948
•
Vol. 1
Non-Key
Crime Patrol #8
EC
•
1948
•
Vol. 1
Non-Key
Wambi, Jungle Boy #4
Fiction House
•
1948
•
Vol. 1
Non-Key
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